Katti Batti Movie Review

Movie Name :: Katti Batti (2015)

Cast :: Imran Khan & Kangna Ranaut

Music :: Shankar-Ehsaan-Loy  

Director :: Nikhil Advani

Rating ::2.3/5

About Film ::

Presented in a non-linear pattern, the movie starts with Madhav Kabra aka Maddy (Imran Khan) going through a tough time post his break-up with live-in girlfriend Payal (Kangana Ranaut). A heavily drunk Maddy mistakenly drinks Phenyl and is rushed to the hospital by his best friend. After this supposed suicide attempt of his, everyone around Maddy is trying to explain him that ‘its over’ with Payal and that he has to forget her.

An unconvinced Maddy wants to confront her and seek answers for their break-up. In the midst of all this we are shown flashbacks of how Payal and Maddy met as college sweethearts and soon headed to Mumbai in a live-in relationship. Back to the present Maddy learns that Payal is marrying her ex-boyfriend in Delhi. Of course, Maddy catches the next flight to Delhi to confront her. Is Payal still in love with Maddy? Why did they break-up? All of this is left to unfold in a boring second half.



This is going to be my favorite section to write in today. Why? Because the plot had so many loopholes that I have to ask the writers if they finished the script in a day or two. For starters, the film is no where close to a new-age romantic drama. Live-in relationship is no more a fascination and hence the writers chose to just show us the couple’s pretty house, cuddly moments in bed, a few fights in front of the guy’s friends and its a wrap. So now you will think there is at least a good love story but unfortunately none of that too. The entire first half is a break-up montage with a few romantic flashbacks from the past. The writers take no efforts in building either of the characters carefully and so Maddy comes off as a sick git who would pick a fight with his friends because his girlfriend ditched him. Who could befriend such a guy! But wait, only a guy who thinks having a one-night stand with an office hottie is the way to get over a five year relation can! That’s the kind of advise Maddy’s friends give him.

Payal on the other hand does not have any characteristics at all. We learn the least about her and I guess that’s because we are supposed to draw an image by her look. So if she is sporting trendy clothes, tattoos and has no focus in life and keeps shifting her jobs, you gotta know she is live-in material. Supposedly commitment phobic because her parents are divorced is just another stereotype. Turns out towards the end, she has much bigger issues than commitment. Maddy also has an obsessive younger sister, Koyal reminded me of Gauahar Khan from Bigg Boss when she kept yelling ‘Kushal.. No..’. Koyal is just as overbearing as that. If that was any less,  writer Anshul Singh tries to add comic capers which are pathetic. A South Indian boss saying ‘Yem for M’. Not Funny! A watchman having paan filled in his mouth and hence cannot talk. Not Funny! The sufi rock group FOSLA (Frustrated One Sided Lovers Association) that Maddy befriends in Delhi. Unintentionally super funny

 Performance :: 

Let me tell you something straight up. If you wanted to watch the film for Kanagana Ranaut, well you will be fooled because she is hardly there. I wonder why Kangana signed the film as it neither has a good character sketch for her nor can she make it any better with her act. Sadly, all her talking about how versatile she is goes down the drain with this film. Other than having a dolled up face in the film, there is nothing in it for her.

Imran Khan is the lead of the film. Yes! Take a deep breath. There is not one scene in the film without him in the frame and he is totally all over the place. As Maddy, Imran does his typical act. He still seems to be the same since his last films. The supporting cast too is not strong enough. Vivan Bhatena who was seen last week in Hero plays the irritating ex-boyfriend. Manasvi Mamgai essays the office hottie who needs no reason to flaunt her cleavage.

Direction And  Music :: 
Last week we saw Nikhil Advani’s Hero and somehow I now feel that was a better film than this. Unexpectedly but, Katti Batti’s dumb script falls flatter than Hero too. Advani relies on Imran Khan to entertain us for majority of the time where as Kangana is playing hide and seek with us as she appears rarely. The director manages to make certain romantic gestures look pretty. Also at a point Maddy’s desperation to get in touch with Payal in a scene where he keeps re-dialing her knowing that the phone is switched off is a scene crafted with good insight. But otherwise, this silly story stretches long, only to give you a twist towards the end which is even more depressing than the entire film.

The editing department seemed to have worked only for the ‘kissiyaan’ song. They let the scenes drag and drag till you drain out. The scenes are so long that they fail to hold your attention and hence you will find yourself looking here and there. Sarfira is foot-tapping but the rest of the songs are a yawn-fest. Especially Jaago Mohan Pyaare, it props up from no where and is probably a wake-up call for those sleeping in the audience. Unfortunately, the makers needed this wake up call while coming up with this film.  Basically, I am Katti with Katti Batti!

Verdict :: 

Katti Batti is a stale, boring and insensible film that seems like a mockery at love and relationships, thanks to its crassness. In keeping with the efforts put by Imran Khan and Kangana Ranaut who are the only good things in this film

Welcome Back movie Review

Movie Name :: Welcome Back (2015)

Cast : Anil Kapoor, John Abraham, Nana Patekar, Shruti Haasan, N

Music :: Anu Malik

Director :: Anees Bazmee

Producer :: Anees Bazmee

Rating :: 2.5/5

About Film ::


Uday Shetty (Nana Patekar) and Majnu Bhai (Anil Kapoor) are back but this time not as goons but ex-goons who run white collar business. Their antics are still the same, Uday trying to ‘control’ every time he loads a gun. In Uday’s language, ‘Bhagwan ka diya sab kuch hai’, other than a wife that both are so desperately seeking for. In the midst of all this, Uday learns that his father has a daughter from his third marriage and that now it is his responsibility to find her a suitable goon – oops! groom. Enter, Ranjana (Shruti Haasan)! In the meanwhile, there is also a sub-plot of Dimple Kapadia and her daughter Ankita Shrivastav who play the conniving mother-daughter fooling Uday and Majnu for money. To find a suitable ‘sharif’ guy for Ranjana, obviously, Uday and Majnu turn to Dr Gungroo (Paresh Rawal) who has recently learned he has a ready-made son Ajju Bhai aka Ajay (John Abraham).

Because everyone crosses everyone in Mumbai, Ranjana and Ajju fall in love in the most ‘natural’ way. They even dance on a pathetic song and soon there is an entry of another don. Wanted Bhai (Naseeruddin Shah) and his druggie son Honey (Shiney Ahuja) are introduced and Honey is in some obsessive love with Ranjana, hoping to get married to her. Combine all of this with Dubai’s desserts, swanky hotels, choppers, sand storms and edited to awful perfection (read sarcasm) camels running, that’s your climax.

 Analysis :: 

First question to the director, was there an actual script? Actually, of course there was, Shruti Haasan and John Abraham were anyway reading (not acting) it. Let’s get started on what passes off as comedy in Bollywood. Doctor Ghungroo addressing his wife as ‘Boy cut, halkat’ in one of the scenes. Wait, this is just the start, if the dialogues are this crass, what happens next, without any reason we see Rajpal Yadav in PK’s nude-holding transistor avatar. Not funny!

Forget about a stomach-holding laughter but you get minor chuckles when Anil Kapoor is addressed as ‘Tedha Kandha’ for his stance and secondly when he starts dancing on ‘Dhina dhin dha’ in a graveyard. Coming to the graveyard, it is such a hilariously written scene (I am high on sarcasm) that we see Uday and Majnu playing antakshari with the ghosts and to scare them off, Shruti Haasan dressed in a white strapless gown walks towards them. Wow! Who recognizes their sister decked up as a ghost!

Dialogues are forcibly made quirky and hence you hear things like ‘moochwala beanbag’ for a fat, petite man with a moustache. Also, in one of the ssenes, Nana Patekar describes Ghungroo’s character as “Dr Ghungroo ka khaandaan itna sharif hai ki inki ghar ki makhhiyaan bhi sar pe dupatta leke nikalti hain” and you’re like whaaat! Is that supposed to be funny? But I have to say, the climax makes up for the best laugh. People flying in sandstorms with camels running in the background is how you show that your story is set in Dubai.


Performance :: 

Nana Patekar and Anil Kapoor are a super combo. They are the only reason, the first half is watchable. As Uday Shetty and Majnu Bhai, they revive the old film’s charm in this one too. Paresh Rawal as Ghungroo is the same old. Although in this film he does not get many punches. He is particularly excellent in the scene where he gets to take the case of Uday and Majnu after they approach him to break-off the wedding.

John Abraham needs to understand that comedy is not his cup of tea. He is completely non-watchable in the film, right from his dialogue delivery to the dance to the Bhaiwala accent. Shruti Haasan is truly lucky to be the daughter of two great stars because on her own, she would have never made it to an acting class audition either. She speaks each dialogue as though she is reading it and pouting does not help it make any good. With her performance, it looks like Katrina Kaif performed her career best in Welcome.

Dear, Mr. Naseeruddin Shah, you may have become bored of doing serious films but there is some quality we expect. Why would you choose this film out of all? As Wanted Bhai, the blind one, he seems irritating and it is sad to see such an actor getting wasted. Shiney Ahuja is one character whose entry and act, both will have you in splits. He is the only actor seeing whom I had a good laugh in the film, who cares if it was unintentional.

Dimple Kapadia is another actress who is a complete waste in the film. She is often seen strutting in colorful robes which in no way look even a facade of royalty. Ankita Shrivastav has one of the most unnecessary debuts in Bollywood history. She is plain irritating with her dialogue delivery and to top that she provides ample of skin show that is remotely needed for her character. We truly missed Mallika Sherawat from Welcome.

Direction And Music ::

I have a serious problem with the treatment of comic films in Bollywood. While the censor is busy cutting words like ‘saala’ from the film, they hardly care about the underlined messages running through an entire script. Scenes such as Ajju’s gang members eve-teasing and lecher leering go uncut because somehow they are building a love story. On the other hand the mindless lyrics ‘main bubbly hui, tu bunty hua..bandh kamre mein 20-20 hua’ with item girls for hero’s entry is another headache. The songs are impossible to sit through in the film and I even saw a few people leaving the theater waiting for them to finish.

Background score as well is another assault. Clearly, the editing department too was so fed-up after watching the first half that they left the second one untouched. They let the film stretch to over two hours, nearing it to almost three. And hence, they even made sure that the graphically created camels look ‘so natural’ that you wish all the characters would die in the sandstorm and save us from another sequel. Bazmee’s imagination runs wide and hence we see mini chopper bombs as Shiney Ahuja’s toys which he spins in the desert killing none. And after we see all the characters flying in the sandstorm in the end, you are so happy that the film has ended with all logics going out of the window.

Verdict ::

Welcome Back is no where close to Welcome so I suggest you don’t go watching this film with expectations of the previous one. If your tastes involve logic defying humor filled with crassness, you will love this film.